If the frescoes reveal famous doctrines, then the Sistine Chapel in Italy is where you can discover the best examples of art history. The Sistine is located in the Apostolic Palace in Vatican City. It is both a small church and the official residence of the Bishop of Rome. It is named after Pope Sixtus IV, Cappella Magna, who restored the chapel in the 14th century. On election day, white steam spewed from the center of the ceiling, making the gods and civilizations aware of inheritance. However, what makes this church the most visited landmark in Rome’s Vatican City is the eternal impulse to pursue its exquisite fresco trajectory.
Suppose you are in Rome, and you have arrived at the Vatican Museums, walking down a long corridor, and walking down paths with frescoes, towering pillars, statues, and many other things. Finally, after a long passage, a double spiral staircase and a door, you will reach the starting point of the Sistine Chapel. What are you looking forward to? A music ensemble composed of singers, a hall for peeping? Sistine really doesn’t have these! Instead, draw the curtains, just like in the Sistine Chapel. You are surrounded by painted tapestries. In addition to keeping you warm during the long Mass, this is also the main accent of this church and expresses life. Great Theater.
The play is divided into three stages in the paintings of the Sistine Chapel. It represents the characters who resonate with each of us in a fascinating story covering the entire world. So if the Sistine Chapel was built 548 years ago, it is a cave of apostles made up of a small group of wealthy and educated Christian priests who want to pray and elect their pope for comfort; why is it attracted now Millions of tourists? Constrained by modern political boundaries, this narrow space exploded dramatically by displaying one of the most famous works of art in history while praising the ancient revivalist culture.
The private church founded by a few elites was eventually enlarged into a more comprehensive idea of ​​uniting international audiences. This idea is divided into three stages, each of which is related to a historical event. The first heralds the revival of Italy, the second seeks inspiration from the revolutionary voyage of Columbus and changes the secular landscape, and the third illustrates that the age of exploration is underway as the church expands toward the international experiment. The original illustrations of this church show a more austere world, with overly complex scenes telling the story of the lives of Jesus and Moses and explaining the evolution of Jews and Christians.
To make these designs, Pope VI, together with Domenico Ghirlandaio and others, selected Florentine artists who would later become Michelangelo’s future painting teachers. These male craftsmen are full of Tuscan landscapes and Roman monuments on the ceiling of the Sistine Chapel, with pure colors and pure colors. Almost all of these landscape paintings depict the pope’s social group, making these paintings perfect examples of small conservative courts that cater to Europe. However, with the advent of the New World in 1492, the horizon became colorful, and so did the Sistine Chapel.
With the help of the 33-year-old mastermind Michelangelo di Lodovico Buonarroti Simoni (Michelangelo di Lodovico Buonarroti Simoni), the Sistine Chapel saw an extraordinary story. Although he was appointed to paint the 12,000-square-foot ceiling at the time, the proposal was not good for him. Despite receiving painting tutoring, Michelangelo still wanted to pursue sculpture. This disturbed the leaders of Florence. However, when a sculpture project failed in Rome, Michelangelo had no choice but to paint the Twelve Apostles of the Sistine Chapel. This thought disturbed him because he thought it was similar to all other painted ceilings in Italy. Regardless of the possibilities, Michelangelo accepted the challenge of drawing a new art outpost.
His inner visionary began to paint chapters that could be inferred from 62 feet below. Michelangelo did not specify the space with too much detail, but cut the marble with a chisel and hammer to reveal the painted figures. You see, there is nothing subtle about Michelangelo! He is one of the few people who express his narrative through a dynamic stage, and Pope Julius II welcomed his genius design. Together, they have created an unparalleled artistic heritage! Because they imagine that the Vatican Museums will always resemble the glory of art. Even if it means including a special collection of unbaptized Rocco Roman sculptures.
This collection is the seed of the world’s first modern Vatican Museum. Since Michelangelo was very focused on his work, he spent a large part of his time decorating the ceiling with stories above his head, and completed this work in three and a half years. His storytelling is connected with the whole world with a rare artistic allusion. The storytelling opens nine panels, combining colorful biblical characters with the perspective of sculptures.
Standing at the far end of the east entrance, drawing out from the altar, you will notice a series of clusters of illustrations from side to side. You begin to gaze at its vastness to find a beginning. At that time you will find this large canvas dotted with space from time to time, which means that Michelangelo may stop to admire his work. Although it is said that throughout the painting process, Michelangelo never stood on the floor thinking about his work. Instead, he operates on a large platform covering half of the chapel.
Despite this arrangement, he designed it perfectly in the vast landscape. Overlooking the east wall-here you will find the first panel, including Noah’s Drunkenness, followed by Original Sin, Flood, Noah’s Sacrifice, and Eden’s Exile. The ending sequence is the creation of the sun, the moon and plants, the separation of land and sea, and the separation of light and darkness. The panel is surrounded by 20 muscular nude statues of Ignudi. On the opposite wall, you will find Giudizio Universale, which explains Christ in the center.
Near the lower structure is Biagio de Cesena, a man with donkey ears entangled in snakes, Saint Bartholomew (Saint Bartholomew) is protecting his skin. The main position of the ceiling is marked by the whole of everything, like someone falling into our vast world from outer space. This person who embodies the resurrection of mankind, I think, is the most critical node in this old and new scene. For people from all faiths who visit the museum, it is here to let the distant past face the pressing reality. This brings us to the huge arch, where you can observe the “Last Judgment” drawn in 1534 based on the changes the world was seeking at the time!
It is incredible to see his portrait embracing the Islamic family and the Ottoman Empire like a church. An artist who has never been outside of Venice manages to use his art to deal with the new world. He used his imagination to paint “destiny”, a painting that depicts the respect and love for the remarkable legacy. Then there is the final judgment, the end of the world, given in a Christian expression. In this illustration, Michelangelo describes a profound story. On an unexpected Vinette, you will notice that a black man and a white man are simultaneously attracted to human harmony. On the other side are men and women posing naked as athletes. In the eyes of Michelangelo, these people have overcome the suffering like any of us.
Sitting on top of this Vinette is Jesus Christ, who experienced pain on the cross but was portrayed by the glory of heaven. Michelangelo recorded in his paintings how difficulty does not limit the difference, only cultivates it! However, in order to apply the artistic style to the human body in the most sincere way, most of the Sistine Chapel’s works of art appear nude. Mainly because Michelangelo did not grant him the justice he received from Pope Julius II, but chose to show inner vitality as an outer power. Not many people understood his vision, and because his rare paintings were too vivid, they caused controversy, so they did it!
Some people even call him a masterpiece of human drama; pornography. Today, more than 5 million tourists visit the same artwork every year, generating 80 million euros in revenue. In a fascinating event, when you stand between the beginning and the end, the Sistine Chapel will force you to glance at your surroundings like a mirror. When you leave this exhilarating haven of idealism, you will find yourself looking for answers to the most important questions in life, “Who am I, and what role do I play in this extraordinary theater of life?” The Sistine Chapel is not only It is only a church where a long mass is held, but also an internal journey.
