FIn the early days of his novel, Jodor Dostojewski tore up the abyss of people who measured philosophy and psychoanalysis after him, and he is still a contemporary of many in his homeland. The Moscow writer Alissa Ganijewa believed that Dostoevsky let his characters yell at each other instead of listening to each other with their controversial views, which made him what he is today; she also used cheaper genres for him (such as tabloid language ) And the fact that something great has been produced in the process is impressive.But there is also the Russian Orthodox Church church She believes that the author who allows the murderer to find God (23:43) like Luke’s Gospel is hers. At the opening of the Dostoevsky exhibition at the Moscow Museum of Literary History on Subovsky Boulevard, Hilaryon Metropolitan, the head of the Ministry of Foreign Affairs of the Patriarchate, said that Dostoevsky was still keeping many people away. People in Russia are familiar with Russian culture and the Orthodox Church. Their ideals are fictional characters, such as Prince Meshkin and Alyosha Karamazov in “Idiot”. Hillaryon told about a British friend who was studying for a doctorate in Dostoyevsky. He found a Russian woman and converted to the Orthodox Church.
Before September 8th, the show called “Strong Impression” (Silnyje wpetschatlenija) showed Dostoevsky’s relationship with women and children, religion and revolution original sketches, personal icons, and photo files. The Deputy Minister of Culture Alla Manilova emphasized at the museum that Dostoevsky’s writing and charm are entirely European. Contrary to his opponent Lev Tolstoy, who equated morality with norms in the first place, and it is no coincidence that he has many followers in the Far East, China, and South Korea. He believes that moral issues are under scrutiny. The Secretary of State did not mention that Dostoevsky loves European art and literature, but as a public intellectual, he increasingly opposed the progress and emancipation of the mind in the West, and in the process became a veritable Europhobia. Of course, some avant-garde contemporary artists in Russia have undergone a similar transformation, especially the theater director Konstantin Bogomolow, his latest stage production of Dostoevsky’s “Demon” With unparalleled malice and brilliance.
