Sunday, May 24, 2026

Wonderville at the Palace Theater: The magic show shifts from WOW to so-so

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There are sorcerers everywhere here Palace Theatre. Although the posters outside are back Harry Potter In October, there is already magic here summer. Wonderville has gathered a powerful group of magicians and psychologists to mix amazing moments with ordinary moments.

The MC is Chris Cox, and his obnoxious bow tie appearance conceals a fanatical obsession with mind reading. How he knew the license plate of the car that the man in front of me was driving, unless it was his Uber driver, was a complete mystery. If Cox almost made the miraculous feat seem too easy. Although not cheated by the world’s most unhappy audience volunteers, it still requires full marks.

Cox connects a series of highly skilled performers, each of whom has something unique. Literally, Edward Hilsum gave birth to endless pigeons and seemed to have so much control over them that you would most likely think of them as animatronics.It’s not surprising Magic circle In 2018, he was selected as the stage magician of the year.

This is a traditional, old-school show, but at least there is a woman in its lineup who is not an assistant. Josephine Lee gave a stylish interpretation of the familiar disappearance. Even if you have an idea of ​​how it is done—as far as I know, she does not have identical twins—it will never cease to be pleasant.

Have more fun with the Young & Strange duo, they add a funny comedy to their retro tricks. The old spear pierced the people in the box with a pleasant reward, and there was a lively clip of them breaking into the Sky News report outside Westminster. Although the fact that it happened in the story about David Cameron can indeed be traced back to it.

Young & Strange are outstanding stars, but if they combine acrobatics and card magic to become an Olympic event, special guest Emily England may win a big win. In contrast, the Hula Hoop Index represents Symoné’s feeling that she parachuted from a completely different variety show.

The hula hoop partly highlights Wonderville’s identity crisis. At a certain point, it sent the Vegas cabaret show of the 1980s, but when not sent, it felt very close to the Vegas cabaret show itself in the 1980s. Young & Strange’s return, with the support of exaggerated power ballads, feels like a natural finale, so it’s strange that there are more.

There are a lot of things to enjoy here, but don’t be fooled into thinking that you are witnessing the future of magic. This is as convincing as a blade that “cuts” one of the various assistants in half.



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