Thursday, June 25, 2026

The treaty showcases the history that is taking shape-and proves the power of political drama | Theater


‘A generation Want to be in the room where it happened,” Aaron Burr sang in Hamilton. Since most of us want to know about things behind closed doors, Colin Murphy’s play “The Treaty” has a fascinating charm. ,about Anglo-Irish Treaty, Its centennial day is December 6. Fish meat I recently staged this show in Dublin, I saw it at the Irish Embassy in London, and it had some performances before it aired next week. This is an extraordinary political drama.

Murphy reduced the two months of negotiations to 90 minutes.Dublin delegation led by Arthur Griffith ourselvesHe and Michael Collins came to London in 1921, seeking to officially recognize the Republic of Ireland independent of the British Empire.A British team led by Prime Minister David Lloyd George and the Colonial Secretary Winston Churchill, Also determined to keep Ireland in the empire and protect the rights of the six counties of Ulster. Gradually, at the last minute, the two sides signed a treaty that had a huge impact on the relevant countries and individuals, and gradually moved towards compromise.

Camille Lucy Ross played Winston Churchill in “The Treaty.” Photo: Ste Murray/Fishamble

Murphy made it very clear what is at stake. Irish diehards hope to reject any treaty involving allegiance to the royal family. At the same time, Lloyd George believed that for the United Kingdom, resolving the Irish problem is the key to all politics. Churchill claimed that “any government that promotes a republic will be crushed into atoms.” But Murphy also showed that in politics, the devil is in the details, and compromise can be achieved by changing one word. Lord Birkenhead, a British lawyer, asked, what if we omit the word “empire” and replace it with “the Commonwealth”?

I was attracted by Conall Morrison’s work, which contains some of the best gender blind casts I’ve seen: Karen Ardiff as Griffith, Jane Jane Brennan as Éamon de Valera and Camille Lucy Ross as Churchill, these capture the essence of their roles. I also think of other works that prove that the political process is essentially dramatic.A classic example is The shape of David Edgar’s tableThis shows how the transition to democracy of Eastern European communist countries depends on the formation of the correct seating plan.

Thomas Wheatley, Ron Cook and Sarah Coates in Grenfell: Value Engineering.
“Part of a glorious tradition”… Thomas Wheatley, Ron Cook and Sarah Coates of Grenfell: Value Engineering. Photo: Tristram Kenton/The Guardian

James Graham This house Focus on the desperate strategy adopted by the Labour Party from 1974 to 1979 to survive the pending parliament and a weak majority.And a series of courtroom dramas edited by Richard Norton-Taylor and staged by Nicholas Kent, from the color of justice to the most recent Grenfell: Value Engineering, Has used verbatim techniques to expose the rifts in British society.

All these dramas use different methods, but they prove that the political drama, which is generally considered to be in decline, is still full of vitality. In fact, the treaty is part of a glorious tradition because it reveals the history that is being formed by allowing us to accept our inner suggestions, thus demonstrating the power of drama. We still want to be in the room where it happened.

treaty At the Irish Embassy, ​​London, until December 4th. It will then be available online from December 6th to 12th.



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