DThe Red Cat nightclub in Mainz is multimedia. There is an old TV hanging above the bar, where black and white movies are playing. Even if you stand in front of it, you must be very careful to see what is happening on the small screen. Usually, actors seem to move with the beat of the music.
On the dance floor next to the DJ station, there is a monitor for spaceship computer games that is always occupied. Nearby dancers can observe people’s performance in space battles and the interaction of sounds and movements through a show by Mainz star DJ Psycho Jones.
In the last room of the vault, it is actually used to make new friends, and music videos are sometimes played on the screen. You can hardly see anything most of the time because the projector is not bright enough or someone is dancing in front of it.Every now and then, it seems that THAAD or Jennifer Lopez In order to award honors or independent bands, the names were discussed for a long time when repeating the sequence. The video of the night dance is a continuous loop. But you can always hear the playlist of Psycho Jones. For those in their early twenties, later called millennials, the flashing singing icons at the time seemed a bit retro. They grew up with MTV.
Those who were self-conscious in their student days said that they only watched music videos in the afternoon, not “The Simpsons” or “Friends.” Crowds of girls and young women compared their silhouettes in the mirror with their bodies. Madonna And Britney Spears, walking up and down the corridor like on an airplane gangway, waiting for the bellyless fashion to be recognized by the family. At that time, the film rhythm was fast and the musical character model was very reliable. They wanted to play drums because of the white stripes in Detroit, because Avril Lavigne wanted to have black-framed eyes, but they didn’t notice that it was mixed with popular commercials on MTV. References to works of movie art.
Youtube is here and there are new videos on the platform. They changed, the technology became better, the budget became smaller, VJs began to flood the club, and record companies began to release new videos like new albums. Everything is known and nostalgic people can read it, for example, in Martin Lilkendey’s “100 Years of Music Video.” As we grow older, the stories of music movies seem to be less memorable. When you recognize those who are associated with the sense of exception at night, REM’s “Everyone is Injured” may be a wonderful snapshot of traffic jams at a Texas highway intersection taken by Jack Scott, which mentions fees Rini, the mood at the time disappeared, but that feeling reappeared. Everyone was attracted by the perfect combination of story, sound, light, movement and association.
