SecondThis feature film debut by Norwegian director Itonje Søimer Guttormsen, before it dissipates into a watery void, is a fascinating and subversive documentary drama that tells the nature of creativity and the creative methods of modern avant-garde artists Anthony Alto May be treated. Birgitte Larsen plays Gry-Jeanette Dahl, her name is “Gritt”. She is a sentimental young woman, trying to break into experimental theater and radical performance art forms, basically in an unfortunate situation outside of outsider art.
At the beginning of the film, Gretel managed to escape to New York, part of a Norwegian theater company funded by a grant. She was hired as an emotional supporter for Down’s writer and actor Marte Wexelsen Goksøyr. Gerrit and Matt formed a plain, insincere friendship, and asked her questions about her career with listless jealousy and resentment. Her own application for funding for a gigantic installation performance called The White Inflammation was rejected. Gritt was angrily destroyed, but did not have the least tendency to try a smaller version or try to fund it in other ways .
Walking around in New York, Great Stumbled upon an outdoor impromptu rehearsal in real life Life Theater And its director Brad Burgess (playing himself) was kind to Gerrit and introduced her to the director Oslo Cruel Theater, Lars Øyno (play yourself again). Øyno also sympathized with the poor and desperate Gritt, and generously offered her a job: filming the lives of refugees in a small video clip in his latest stage work. Gerrit repayed him by abusing his trust; she told the refugees that she would create an ambitious multimedia performance under the banner of Øyno, shamelessly using his facilities and props. An angry Øyno discovered this-Gerrit just left the refugees to run away, where she sought social services amidst collapse and possible schizophrenia.
Gerrit is delusional, antisocial, as well as parasitic and predatory. She has all the styles and career goals of a creative artist, but no creativity or artistry. But she has something close to promise and motivation, and may have achieved some success through luck or a suitable forgiving collaborator-Aalto himself has no picnic to deal with. Entering the field of art often involves a certain degree of coldness and CV manipulation. Looking at this, I found myself thinking of Orson Wells, who got his first job at the Dublin Theatre by shamelessly lying about his fictional Broadway experience.
Gerrit finds herself in a borrowed lakeside cottage, experiencing an ambiguous (I think anticlimactic) scene, she is accepting defeat, or charging for another attack, or maybe just addicted to the art that has always inspired her Daydream in this lonely profession.
