French actor Jean-Paul Belmondo (Jean-Paul Belmondo), who became famous in Jean-Luc Godard’s revolutionary new wave classic “Out of Breath”, passed away at the age of 88 years old. The lawyer confirmed the news to AFP.
Belmondo-nicknamed Bebel by French audiences-became one of the country’s biggest box office stars in the 60s and 70s. His tortured face is clearly defined by his rivals and Alain Delon, who had worked with him. In sharp contrast. Like DeLong, Belmondo was a key figure in the outstanding generation of European cinema during that period. The series of films he collaborated with Godard-including “Women Are Women” and “Piero”-left indelible impressions. Imprint.
Belmondo was born in 1933 in the affluent Paris suburb of Neuilly-sur-Seine. He is the son of the “black spot” sculptor Paul Belmondo. He attended a series of elite private schools but did not perform well. He showed more interest in sports and started a short amateur boxing career as a teenager. After contracting tuberculosis, he became interested in acting and applied to the elite National Academy of Dramatic Art, which eventually won a place in 1952.
After graduation, Belmondo began to perform in theaters, starring in plays by Anouilh, Feydeau and George Bernard Shaw. He also won a series of small film roles: in one of them, in Marc Allegret’s 1958 comedy “Un Drôle de Dimanche”, Godard discovered him, and Godard was still a critic of the movie manual at the time. Godard asked him to star in a 12-minute short film, Charlotte and her boyfriend-known as “A Tribute to Kokdo”, which was ranted by Belmondo’s character at his girlfriend in a hotel room . (After Belmondo enlisted in the army to serve in Algeria, Godard himself provided his voice.)
Before Godard started making a film, his critic colleague Claude Chabrol played Belmondo in his 1959 thriller “Double Journey” (also known as “The Web of Passion”), playing The boyfriend of the murder victim. The character’s name Laszlo Kovacs will appear as a cunning joke in Breathless. But it was Godard’s film in the late summer of 1959 that made Belmondo the harlequin of the French New Wave. Based on the treatment of François Truffaut and Chabrol, Panting Inspired by the real activities of killer Michel Portail. A lot has been written about the unorthodox production of “Breathless”. Godard writes new dialogues every day and shoots without lights to allow the spontaneity of the performance; Belmondo has made an excellent strategy for Godard In response, the film became a huge commercial hit after it was released in 1960.
Belmondo also played a more direct role: in “Sin Wind”, also released in 1960, he played a young gang who helped an armed robber flee to Paris with his child. However, the success of “Breathless” made him the center of attention. He quickly became an international star, appearing in Peter Brook’s adaptation of “Singing”, and in the Italian director Vittorio Desica’s “Two “Women” and Sophia Rowland played the opponent.
But—like DeLonghi—he prefers to focus on French films, expanding his relationship with Godard in the fourth “Woman Is a Woman” that broke the barriers in 1961, and with the favorite of New Wave critics. -Pierre Melville co-developed another one, as well as a guest role in “Breathless”. In 1962, Belmondo played an ambiguous and sexy priest in “Melville Priest Leon Moran”, followed closely by Melville’s Douluo In 1963, he played a robber suspected of an informant.
Belmondo is good at playing the gang and the underworld, although he was a big success with “Cartouche” in 1962, playing an 18th-century rogue swordsman opposite Claudia Cardinale. The man in Rio—Françoise Doleac’s spy spoof—is another hit of the same director Philip de Brocca, more in line with Belmondo’s own populist taste; he Tell him to describe Moderato Cantabile as “very boring” The New York Times in 1964: “Compared to the intellectual films of Alain Resnais or Alain Robbe-Grillet, I really like making adventure films like Rio.”
One year after giving up acting in 1967-8, Belmont returned to work multiple times, but the rhythm was not so intense, such as Truffaut (Mississippi Mermaid) and Claude Lelouch (Love is an interesting thing) Made a movie with Jacques Del Rey (Bosalino)-even though he and co-star DeLong fell out in the latter film over fees. Following Deron’s example, Belmondo walked behind the camera to make films of Chabrol (Dr. Pobol), Debrocca (Acapulco) and Renas, ironically, with The political drama Stavsky appeared in the 1930s.
Belmondo maintains a series of popular songs France Entering the mid-1980s, there were comedies, action movies, and crime dramas, but his work began to slow down in the late 10s, and he returned to the theater to play in the base of Cyrano de Bergerac and Jean-Paul Sartre. Performed in Kean. His most watched movie role in the 1990s was in The Miserable World edited by Lulu, and he reunited with Delong in 1998 in “Two People’s World”, and the two of them are not sure which one of them is ordinary. Nisha Paradis’s father.
2001, He was hospitalized with a stroke, And did not make any movies until A Man and His Dog in 2009, which did not hide the impact of his illness. He was seen attending the funeral of comedian and screenwriter Guy Bedos in Paris in June last year.
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He is in april Take a picture and smile At a party celebrating his 88th birthday, he and some of his children and grandchildren, including his 17-year-old daughter Stella.
Belmondo was married twice, from 1952 to 1968 to actor Elodi Constantine, and from 2002 to 8 to the dancer Nadi Tadiville.He has also established many high-profile relationships, including in the late 1960s with Ursula Andress, Laura Antonelli and his co-star in “Doctor Popo” in the 1970s (Dr Popaul), and Barbara Gandolfi, He separated from him in 2012.
