DHe has good news first: there is a break!Not-so-surprising addition: then it also went through this stage Frank Kastov As always, unwavering. After all, the “Austrian Premiere” for the word “Noise”. Blindness. The blind saw it! “The duration of three and a half hours announced by Elfriede Jelinek of the Vienna Academy Theater (plus the rest time, which means less than four hours in the theater) has been maintained quite well. Frank Castorf used the promise Bell Prize winners are always refreshing about one-third of their cheeky submissions, and obviously add any content, but this only scares those who have never seen Kastorf’s work. So business as usual? No! The luxurious stage designs designed by Aleksandar Denić often appear, dominated by an unmistakable huge metal skull, and one might suspect that it is more like an iron masked person or a Greek Trojan horse image. In any case. , Are lined with the former French royal coat of arms-golden lilies on a blue background. In addition, the neon signs are more or less worthy of understanding. The back of the head promises permanent barrier-free-“24/7 open”-Musketeer’s Dazhong The horse motto surrounds the forehead: “Un pour tous-Tous pour un”.
So we are more likely to be dealing with the iron masked man. On the other side of the stage there is a huge wooden picket fence with inscriptions also in French, due to the “new wave” (“new wave”-maybe also to make an internal joke for those interested in movies, So gatherings are forbidden. History), as well as an ATM and a bale of hay. By the way, there are hay or straw everywhere on the stage. However, in the background, one can still recognize the stairs leading to the lower stage. There, when it descends from the stage sky in front of the fence for video playback, you can see it again and again on the screen, setting up a cell.
Is there also behavior? Well, this is almost too much to ask.However, one can assume that Frank Kastov is different from Jelenex The inspiring text explains to the audience, saying no, no, but showing that people will inevitably become pigs. As for the six-person theater ensemble, this time only the members of the castle theater, namely Mehmet Ateşçi, Marcel Heuperman, Dörte Lyssewski (she is sometimes referred to as Elfriede Jelinek), Branko Samarovski, Marie-Luise Stockinger and Andrea Wenzl, were greatly challenged. Both physically and literally, it has now paid off. Therefore, you can also choose to recite: they almost always yell (costume: Adriana Brag Peretzki) in new, rarely fitted, albeit carefully disguised (costume: Adriana Brag Peretzki). Next to it is the Nobel Prize in Literature. The author’s cheerful and critical nonsense about Austria’s domestic politics and various shadows. Corona truth and viral conspiracy myths inappropriately come from Odyssey and therefore from Kirk Gesang, which is about Odysseus’s man becoming a pig s story.
Fortunately animals
More Homer is almost impossible. Daniel Defoe’s “London Plague” (the good man, Mr. Defoe knows nothing about viruses, but the plague is always appropriate!) and Auguste Villiers Tokushima’s less famous story “Hope The torture of the Spanish Inquisition on the mental and physical forms of torture (no one would have thought of it here, but underground dungeons!) has not been ignored. The other built-in text blocks are hardly worth listing. However, don’t forget the brief appearance of a cute pig named Edmund. Fortunately for this animal, it only appeared in the dark background for a few minutes, was allowed to snort, and then disappeared again. Let us hope that this poor pig is really unharmed.
After the rest, it was really wild. You emptied beer glasses, vodka bottles and ventilators, attacked each other with sledgehammers, and robbed ATMs. In the end, most of them seemed to be maned cows (“Are you hairless everywhere?” “, they want to know each other) become. The last scene: this time Kastorov’s contribution to the theory of class struggle. Marcel Heuperman shouted to the end, why the pig represents the proletariat, no, not a replacement, but a supplement. Okay, may I clarify now? Perhaps it is not entirely wrong, at least it is another slap in the face of globalized capitalism. Admirers of Frank Kastov can expect that their master will not play a long prank this time.
