MeterAs you can see in the book, Artin Scorsese is a fan: a passionate film lover and an in-depth knowledge of film history. “Hugo” is his first and only 3D technology work so far. It will be rewritten as a groundbreaking technology every few decades. In 2011, it was an expression of respect and love for everything. , An ancestor feature film of 3-D technology, Parisian Georges Mélière (1861-1938).
It proves the hallucinatory nature of the seventh art. The objects drawn into Scorsese’s fairy tale novels from Méliès’ daily work are now reappearing in tangible reality on the second floor of the newly opened Méliès Film Museum in Paris. French. In addition to cameras, costumes and props, you can also marvel at the prototype of the humanoid automaton that Scorsese placed on the east side of the “Hugo” silent film movie. With this creator, poetry and truth have become an inseparable entanglement-it is worthwhile for the museum to at least try to sift through these clues now.
Be fascinated by the world instead of filming it
The first chapter of the seven chapters, without much early biographical pen reading, immediately clearly shows that the world that Meili loves comes from: the world of magic performance art. In 1888, with the help of part of his father’s property, he acquired the Robert Hudan Theatre, the smallest theatre in Paris. Mélière brought the house back to the light of its founder and the same name. He died in 1871, the magician Jean-Eugène Robert Hu Dan. The newly appointed director, art director, and individual union contributors enriched the potpourri show of magic performances and machine displays with the final firework show: the “Grand Truck” in the form of elaborately staged and gorgeously staged magic numbers. The magician cloak of Meili Ai and the items in the magic bag of his magician tutor Robert Hu Dan are also part of the exhibition.
This feature film was born from the combination of “Big Truck” and the realistic fixation technology of daily life scenes developed by Marley, Edison, and the Lumiere brothers. With the help of Cinémathèque’s extensive equipment collection, part of the course shed light on the prehistory of magic and film technology.Let us be satisfied with the motto here Gilmour Del ToroEdison and the Lumière brothers made a movie, but Meri loved the movie. When competitors were scanning the world, he fascinated them.
Stop technique
Star Film, the film production company of Mélières, showed shocked audiences the second of about 520 films immersed in their own world between 1896 and 1912: “Une séance de prestidigitation”. Most of the Star Film catalog contains such variants. It is full of magnetizers and alchemists, carnival characters and fairy tale characters, ascetics, harem slaves, and funny Muslim men, seduced by Saint Anthony and rubber heads separated from the torso, making faces on the table. In addition, there are historical figures such as the Maid of Orleans, as well as contemporaries embodied by actors, such as Edward VII or Alfred Dreyfus.
