A sort ofI am monday Barbara Clem The International Folkwang Prize is presented at the Folkwang Museum in Essen. Norbert Lammert gave praise. The former chairman of the Bundestag highlighted a 1969 photo that the winner himself did not particularly like, saying that it was “probably one of the most important photos taken by FAZ’s long-term editorial photographer.” “It shows three men wearing protective helmets, namely the lobby guards of the right-wing extremist New Democratic Party at the time. The image conveyed by this painting is mediocre on the one hand, but it is in this mediocrity that it appears to have Threatening.”
This photo was first printed in the local part of FAZ in Frankfurt on July 28, 1969. It illustrates an article titled “Investigation of the New Democratic Party Riot Team”.Three days ago, she New products development A rally was held in Cantate Hall in Großer Hirschgraben, and butlers with helmets approved by the court were deployed. The reporter of the newspaper was denied entry into the room. He described how Schutztruppe used their methods, including iron rods, hammers, and sandpaper gloves, to restore order in front of the hall. Counter-demonstrators and reporters were beaten.
“Citizens are angry with the SA method”: This is how the editorial team summarizes the reaction to a process. To clarify this, the chief of police has promised to evaluate news photo materials. The photo of Barbara Klemms was printed for the second time in an intaglio supplement Bilder und Zeiten in an article by Günther Gillessen on August 9, 1969. It was reprinted in “Der Spiegel”, “The Observer” and “Paris Games”.
In the federal election on September 28, 1969, the New Democratic Party won 4.3% of the second vote. Walter Scheel later told Barbara Klemm that compared to the efforts of all other parties, her photos contributed more to the NPD’s failure to pass the 5% barrier.This “may be an exaggeration,” pointed out LammertFor him, this is a “sufficient reason” to attract the winner and “encourage her to take photos again, not only of natural scenery, but also political clowns.”
Barbara Clem’s words of gratitude were very moved and explained that she had to give Lammert the task of “handling politics or these right-wing people again” to the younger generation. She called the theme of the right-wing rooted work “very important” because she felt “frightening that it took another development that no one would have thought of at the time.”
