OhOnline trade is booming. No one knows this better than Bjarne Mädel, the loyal loser of the Regensburg Parcel Delivery Service. Somehow, Volker was always the last to drive the truck into the yard twelve to thirteen hours after delivery. What is the boss (Stefan Merki) angry about, although there is no overtime pay. But if you can’t solve the problem of “low performers,” what’s the point of being a boss?
The time delay is artificial-Volker said kind words to every customer, he checked the old Ms. Stolte’s fuse box, and he actually delivered the order. Put a note in the mailbox and drive, Volcker wouldn’t do that. So for Sisyphus in the modern service industry, going up and down the stairs day after day makes him feel stressed, aggressive, lonely or no one at all, rejecting things, complaining, often being unfriendly, and seldom thanking him. Walker dragged the mattress and bags of dog food. There is no time to park or lock the car properly. The following applies to customers: Why do I have to carry a messenger?Of course, whoever urinates in a bottle during the day
Characters like Volcker find their dignity in jeopardy, but still stubbornly insist on the belief that progress can be achieved through the use of will. Perhaps no one is as credible as Bjarne Mädel in German movies. Girl losers are not only victims of the market economy in the sense of social criticism, but they also stand on their own path. They can give up halfway and win five straight. In any case, they belong to those who, according to popular opinion, can live more easily if they are not themselves. They are fragile and personable, but also stubborn and stupid in principle. Until it’s impossible again. In “Delivery”, director and writer Jan Fehse successfully combines typical portraits of girls with social dramas that reveal the exploitative employment structure of the parcel service industry (photographer Michael Wiesweg).
Volcker used to be a youth football coach until he was banned and then fired after an outbreak of serious injustice. What seemed to be a simple messenger work has become a bone machine. Son Benny (Nick Julius Shuk) first left his single father due to adolescence, went out to play with his girlfriend Sandy (Naja Saborski), and went to his mother to ask for money, who didn’t Undertake maintenance obligations and prefer to seduce his son with expensive gifts. It is a shame for Volcker, besides the boss, he also carries the landlord’s wife. At night, he was looking for fresh groceries in a supermarket container.
There are too few dramas in the new service world
When the washing machine gave up the ghost and Benny needed money for graduation trips, when an arrogant customer delivered a box of wine to his apartment from the store on the first floor—”I will make sure of your job”—and Wall X’s rag was confiscated for speeding, and in the end his former club colleague (Marcus Mittmeier) dashed any hope of coaching—”They are all from sports colleges now”—Volcker’s morale is low . First he was involved in a suspicious side business, and then he grew his fingers. However, apart from the country, he will not hurt anyone. His platonic friend, policewoman Lena (Annie Schaefer), believes that the country is negligible.
“Delivery” finally allowed his anti-hero Volcker to take justice in a painful detour. The film undoubtedly shows the dubious conditions of the labor law of the fictional but condensed reality of the package delivery company in Regensburg. Small roles such as the boss, landlord’s wife, and football colleagues are indeed changing the clichés of success, but the quarrels, disappointments and liberation efforts of the father-son relationship, despite the love, play girls and Shuke like buddies. In any case, there are too few such TV shows in this form in the brave new service world.
Publish This evening on 8.15, it is running on Arte.
