Friday, June 12, 2026

Stefan Aust’s autobiography “Time Travel”


DThe most amazing thing about this article written by journalists and filmmakers is that it takes 577 pages to comment for the first time. And the author writes that he neither desires nor pushes, until then he had no opinion at all or at least was unable to formulate and publish in large numbers. But now he is the editor of Le Monde magazine, and now he is responsible for creating meaning and expressing opinions.And demonstrate on the next page Stefan OsterCreation may even prove that opinions were never his greatest talent. For example, if he told the children who played truant on Friday that the climate was always changing, it would be simpler than before.

On the left, Aust wrote from the beginning that he never, at least at first glance, was an amazing self-description for someone who worked for the left-wing magazine Konkret in the 1960s. Ulrich Meinhofs Read the column, drive to Prague with Rudi Dutschke, and hide Karl Heinz Roth, the student leader wanted by the police, in his apartment. Sometimes, when he talked about student uprisings and wrote “comrades” in a way that he would only do so when he saw himself as a comrade, sometimes the text sounded (possibly contrary to the author’s intention) as if Aust was the Closer of the rebellion A student than he can admit today. But he, the reporter, observer and writer, first searched for and discovered more interesting ideas, better stories, and last but not least, a more exciting life in this environment, you immediately believe he. And he never liked the dictatorship of the proletariat.

Sympathy for the devil

“You know: a little freedom, star club, Coca-Cola, fresh air, preferably in the morning when the grass is still wet with dew, and then the horse between the thighs, speed, wind and rain.” A lot of noise, rhythmic Music is a bit of a vast world. “This sentence, from a letter to his girlfriend by the twenty-year-old Osteen at the time, is his only commitment to subjective desire and passion. Except for a few almost gentle passages about horses, this is more than just a hobby. He. Otherwise, however, Aust doesn’t feel it, and doesn’t mean it. He is there, he is watching, he is describing. In fact, these sober agreements about what happened are often magical, which is not only the advantage of this book. One. This may be due to Stefan Aust’s greatest talent, his talent when things happen.



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